Jane Fonda

80 For Brady

By Hannah Strong

A group of octogenarian pals set their sights on attending the 2017 Superbowl in Kyle Marvin's charming but unambitious comedy.

review

How The Chase set the topical, visceral tone for New Hollywood

By Chloe Walker

Though largely forgotten today, Arthur Penn’s 1966 crime thriller remains a fascinating precursor to a filmmaking revolution.

In praise of Isabel Sandoval

By Lillian Crawford

Though her work remains undistributed in the UK, her superb film and TV episodes show an immense and unique talent on the rise.

Robert Redford: ‘I’ve always loved the idea of the outlaw’

By Christina Newland

They say you should never meet your heroes, but that’s just wrong. LWLies receives a valedictory audience with Hollywood royalty.

Why Barefoot in the Park is the perfect example of on-screen chemistry

By Louise Busfield

Robert Redford and Jane Fonda play young newlyweds to uplifting effect in this lighthearted comedy.

In praise of 9 to 5 and the ’80s career woman

By Simran Hans

How a socialist feminist fantasy kickstarted a trend for female-fronted mainstream comedies.

100 great female comedy performances – part 2

By Little White Lies

Thora Birch, Tilda Swinton and Whoopi Goldberg feature in the second part of our tribute to funny film women.

In praise of Jane Fonda’s most underrated performance

By Mayukh Sen

Sidney Lumet’s The Morning After sees the acting icon at her brusque, contradictory best.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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