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Truth & Movies - A Little White Lies Podcast
Podcast

Passages + Ira Sachs | The First Slam Dunk | Jules and Jim (1962)

On Truth & Movies this week, a love tri­an­gle gets com­pli­cat­ed fast in Pas­sages and we spoke to it’s direc­tor Ira Sachs. Cel­e­brat­ed man­ga becomes cel­e­brat­ed ani­mé in The First Slam Dunk, and final­ly, for film club, we revis­it an ear­li­er love tri­an­gle in François Truffaut’s Jules and Jim.
A man in a black coat standing on a beach, looking out at the waves. Black and white image.
On Location

On Location: The Normandy beach from The 400 Blows

by Adam Scovell

Fol­low­ing in the exis­ten­tial foot­steps of François Truffaut’s young pro­tag­o­nist, half a cen­tu­ry on.
Three figures running down a narrow alley, dressed in clothing typical of the 1930s or 1940s.
On Location

On Location: The bridge from Jules et Jim

by Adam Scovell

This grey struc­ture in the cen­tre of Paris pro­vid­ed the Nou­velle Vague with one of its most icon­ic images.
Two people, a woman with blonde hair and a man in a flat cap, standing by a wooden structure in a rural setting.
In Praise Of

How Bonnie and Clyde brought the French New Wave to Hollywood

by David Pountain

Arthur Penn’s sem­i­nal crime thriller owes a lot to the likes of Jean-Luc Godard and François Truffaut.
Young person in green clothes standing in dimly lit doorway, dramatic lighting creates warm, orange glow.
Review

Close Encounters of the Third Kind (1977)

by David Jenkins

Don’t miss this new­ly restored director’s cut ver­sion of Steven Spielberg’s sci-fi opus.

4
Anticipation
4
Enjoyment
4
In Retrospect