Edgar Wright

The 2021 BFI London Film Festival line-up has been announced

By Adam Woodward

This year’s LFF programme comprises 39 per cent female and 40 per cent ethnically diverse directors/creators.

Last Night in Soho – first-look review

By David Jenkins

Edgar Wright’s lively London-set giallo, starring Anya Taylor-Joy and Thomasin McKenzie, fails to deliver on its fascinating premise.

The Sparks Brothers

By Ed Gibbs

Edgar Wright’s tribute to two of his musical heroes is an exhilarating look back over a unique pop career.

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Time cracks and splinters in the first trailer for Last Night in Soho

By Charles Bramesco

Anya Taylor-Joy and Thomasin McKenzie bleed into one another, possibly literally, in Edgar Wright’s psycho-thriller.

The trailer for The Sparks Brothers salutes a singular musical legacy

By Charles Bramesco

Edgar Wright directs the form-pushing documentary about the legendary Los Angeles pop duo.

15 films we’d like to see at the 2021 Cannes Film Festival

By Charles Bramesco

With Wes Anderson, Leos Carax and Paul Verhoeven locked in, we’re ready to keep the rumour mill turning.

The Sparks Brothers – first-look review

By Ed Gibbs

Edgar Wright delivers a deliciously infectious, suitably absurdist ode to his unsung musical heroes.

Spaced at 20: How we made a British cult classic

By Simon Bland

An oral history of the beloved sitcom with Jessica Hynes, Simon Pegg and Edgar Wright.

Edgar Wright has begun production on his next feature

By Charles Bramesco

The writer/director’s psychological horror, Last Night in Soho, stars Anya Taylor-Joy and Thomasin McKenzie.

Are standalone blockbusters making a comeback?

By James Luxford

After an unpredictable summer movie season, original stories are suddenly back in demand.

How Bonnie and Clyde brought the French New Wave to Hollywood

By David Pountain

Arthur Penn’s seminal crime thriller owes a lot to the likes of Jean-Luc Godard and François Truffaut.

Is a Baby Driver sequel already on the way?

By Josh Howey

The director has hinted that he might not be done with his musical heist caper just yet.

Why Baby Driver is the movie musical we’ve been waiting for

By Marshall Shaffer

Edgar Wright’s new film is a radical reinvention of a classic Hollywood genre.

The 30 greatest car chase scenes in movie history

By Matt Thrift

How many of these pulse-quickening set pieces have you seen?

Baby Driver

By Charles Bramesco

Edgar Wright’s finely-tuned latest is a glorious joyride that will leave you spinning.

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Six of the best Edgar Wright scenes

By Chris Edwards

From Shaun of the Dead to Scott Pilgrim, we run through some of the British director’s finest moments.

Is Hot Fuzz the ultimate anti-Brexit film?

By David Jenkins

Viewed today, Edgar Wright’s comic satire of small town English attitudes feels scarily prescient.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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