The Argentinian enfant terrible on death, sex, his mature new film Vortex and why making TV shows isn’t worth his freedom.
An elderly Parisian couple struggle with the trials of ageing in Gaspar Noé’s miserable but intriguing new film.
Dario Argento and Françoise Lebrun play a couple in their lives’ waning days, staring down the great beyond.
By Anton Bitel
The Italian director’s 1975 giallo classic is being re-released in a newly restored, longer edit with additional scenes.
Her deft turn as dancer Susie Bannion resonates with me and many other women attempting to come into our own.
By Leigh Singer
The latest video in our Remake/Remodel series compares the classic horror with its modern update.
By Adam Scovell
A pilgrimage to one of the grandest and most iconic settings in all of horror cinema.
By Anton Bitel
The horror maestro’s 1987 giallo is released in a special new 2K restoration this month.
By Anton Bitel
Luca Guadagnino puts a bold allegorical spin on Dario Argento’s baroque horror classic.
Suzy Bannion is put through the wringer in Dario Argento’s 1977 horror classic. Why, in the end, is she so happy about it?
Dakota Johnson dances to an unfamiliar beat in Luca Guadagnino’s surprisingly naff horror remake.
By Eve Jones
Claudio Simonetti’s Goblin will be performing their iconic scores in time for the films’ 40th anniversaries.
By Anton Bitel
A 4K restoration of The Bird with the Crystal Plumage is being released.
By Anton Bitel
The Italian director’s 1971 giallo shows a visionary film artist still finding his feet.
By Anton Bitel
Forty years on, the director’s nightmarish gialli has lost none of its potency.
By Amy Bowker
The Radiohead frontman will provide music for Luca Guadagnino’s upcoming re-imagining of Dario Argento’s cult classic.
By Mike Tsenti
She’ll play the lead alongside Tilda Swinton in Luca Guadagnino’s fresh take on the Dario Argento horror classic.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
