By Simon Bland
Oliver Benjamin, the founder of the world’s “slowest growing” religion, reflects on how The Coen Brothers' classic crime caper inspired him to start a global movement.
By Iana Murray
The veteran cinematographer on his explosive formative cinema experiences and shooting Sam Mendes’s moving drama, Empire of Light.
Some of the best nuggets of glitz and scandal throughout the history of the most famous international film festival.
The real-life Mike Yanagita tells the story of one of the most memorable scenes in the Coen brothers’ filmography.
The Coen brothers’ classic gangland neo-noir remains one of their most potent and illusive works.
A.I., American Psycho and Bamboozled all make the final part of our list – but what will come out on top?
Find out how Little White Lies contributors voted in our critical survey of recent non-IP cinema.
The writer-directors maps out the past, present and future of cinema through its depiction of… surgery?
The poor box office performance of The Sisters Brothers and films like it suggests interest in this quintessential American film genre is on the wane.
The actor has dropped a major hint that his Big Lebowski character is making a comeback.
Our annual countdown of the movies that made the biggest impression on us this year, from Hereditary to The House That Jack Built.
Joel and Ethan Coen’s six-part anthology western might just be the crowning achievement of their illustrious career.
Our pick of this year’s shorts programme, featuring rogue chickens and a shoegaze ode to Chantal Akerman.
The Coen brothers are up to their old tricks in this colourful, darkly comic anthology western.
Their feature-length western will screen in competition alongside new works from Luca Guadagnino, Jennifer Kent and Alfonso Cuarón.
By Luís Azevedo
To celebrate its 20th anniversary, we take a closer look at the Coen brothers’ cuss-filled classic.
By Naomi Wong
The director of Training Day and The Equaliser is back in the running to update the Brian De Palma classic.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
