The poor box office performance of The Sisters Brothers and films like it suggests interest in this quintessential American film genre is on the wane.
The actor has dropped a major hint that his Big Lebowski character is making a comeback.
Our annual countdown of the movies that made the biggest impression on us this year, from Hereditary to The House That Jack Built.
Joel and Ethan Coen’s six-part anthology western might just be the crowning achievement of their illustrious career.
Our pick of this year’s shorts programme, featuring rogue chickens and a shoegaze ode to Chantal Akerman.
The Coen brothers are up to their old tricks in this colourful, darkly comic anthology western.
Their feature-length western will screen in competition alongside new works from Luca Guadagnino, Jennifer Kent and Alfonso Cuarón.
By Luís Azevedo
To celebrate its 20th anniversary, we take a closer look at the Coen brothers’ cuss-filled classic.
By Naomi Wong
The director of Training Day and The Equaliser is back in the running to update the Brian De Palma classic.
From Black America to The Ballad of Buster Scruggs, these are the small screen gems headed your way in 2018.
By Ed Gibbs
George Clooney adds a dark directorial flourish to the Coen brothers’ tale of murder and moral panic in smalltown USA.
The Coen brothers heroically bleak debut feature still shines over thirty years since its inception.
Why have mid-budget films all-but disappeared from today’s cinematic landscape?
With its opening disclaimer, the Coen brothers’ homespun murder story lulls us into a false reality.
By Jack Godwin
Ewan McGregor is unrecognisable in this teaser for the returning Coens-based crime-thriller.
Martin Scorsese, Claire Denis and Terrence Malick break into the Top 50 of our ’90s countdown.
By Dan Einav
The Man Who Wasn’t There is a film without levity, hope or redemption – and it’s one of the directors’ very best.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
