A lunatic piece of sci-fi social realism in which Bruno Dumont brings flying churches and sexed-up aliens to France's Opal Coast.
Outgoing artistic director Carlo Chatrian delivers the world cinema goods for his final edition at the helm.
Martin Scorsese, Wes Anderson, and Pedro Almodóvar number among the heavy hitters expected on the red carpet.
By Mark Asch
Léa Seydoux plays a TV journalist in Bruno Dumont’s satire-of-sorts about France’s relationship with its media and itself.
With Wes Anderson, Leos Carax and Paul Verhoeven locked in, we’re ready to keep the rumour mill turning.
By Beth Webb
Bruno Dumont’s sequel to his musical portrait of a young Joan of Arc is endurance cinema at its most epic.
It’s slapstick cannibal class war on the seaside from one of Europe’s most unique and consistently surprising directors.
The 2017 Directors’ Fortnight line-up is even more tantalising than the main Competition.
We predict 20 titles that might just make an appearance at the world’s greatest film festival in May.
Director Bruno Dumont invites us on a French sea-side holiday with a macabre twist.
By Violet Lucca
The anguished face of Juliette Binoche is the emotional core of this harrowing study of an artist.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
