Andrea Arnold

Bird – first-look review

By Sophie Monks Kaufman

Andrea Arnold returns with a flighty kitchen sink reverie that sadly falls from grace in a muddled second half.


By Marina Ashioti

Andrea Arnold’s long-awaited fifth feature is a remarkable and visceral assault on the senses.

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The bovine life cycle makes for high drama in the first Cow trailer

By Charles Bramesco

Take an exclusive look at Andrea Arnold’s new documentary, in which life and death come to the barnyard.

Cow – first-look review

By Sophie Monks Kaufman

Andrea Arnold successfully adapts her social realist mode to minutely chronicle the life of an average dairy cow.

Andrea Arnold’s Fish Tank and the resilience of youth

By Beth Piket

The British director’s 2009 drama offers a child’s perspective of life below the poverty line.

It Felt Like Love: A celebration of 50 great female filmmakers

By Little White Lies

Personal odes to some of the finest women directors from around the world.

American Honey

By Sophie Monks Kaufman

Andrea Arnold returns with a stylish but shambling teen road movie starring charismatic newcomer Sasha Lane and Shia LaBeouf.


American Honey – first look review

By Sophie Monks Kaufman

Despite its frenetic energy and fine young leads, Andrea Arnold’s film never manages to rise above mediocrity.

Wuthering Heights

By Josh Winning

Though passionate and faithful, Andrea Arnold’s film is striking but staggers toward a lethargic climax.


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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.