Ana Lily Amirpour

Mona Lisa and the Blood Moon – first-look review

By Sophie Monks Kaufman

Ana Lily Amirpour returns with a blissed-out, techno-powered riff on the time-honoured superhero movie.

Jane Campion, Paul Schrader head up Venice Film Festival 2021 line-up

By David Jenkins

They’ll be joined by big names and exciting new talent, including Pedro Almodóvar, Ana Lily Amirpour and Pablo Larraín.

Ana Lily Amirpour is remaking Cliffhanger with Jason Momoa

By Charles Bramesco

He’ll play second banana to a female lead this update of the 1993 Sylvester Stallone vehicle.

Drew Barrymore is joining the female horror revolution

By Sofie Steenhaut

The all-female Black Rose Anthology is a necessary catalyst for achieving gender equality in the genre.

All-female horror anthology XX is a worthy project poorly executed

By Elena Lazic

Annie Clark makes her directorial debut in this convention-flipping collection of shorts.

Watch the first trailer for Ana Lily Amirpour’s The Bad Batch

By Little White Lies

The director of A Girl Walks Home Alone at Night is back with a bang.

The Bad Batch – first look review

By Katherine McLaughlin

Cannibals and Keanu Reeves abound in Ana Lily Amirpour’s crazed vision of post-society America.

How female directors are staking their claim in horror

By Katy Vans

Karyn Kusama and St Vincent’s Annie Clark are among those contributing to an all-female anthology film.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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