Jean Dujardin becomes dangerously obsessed with a deerskin jacket in Quentin Dupieux’s slighter-than-slight comedy.
By Elena Lazic
The director of Portrait of a Lady on Fire discusses her monument to female artists and their intense gaze.
Céline Sciamma’s 18th-century romance beautifully portrays the hiddenness of same-sex relationships.
By Elena Lazic
The co-stars of Céline Sciamma’s sumptuous period romance discuss the intimate – and political – nature of the film.
By Katie Goh
Céline Sciamma’s sumptuous, quietly radical 18th century love story is one of the year’s very best.
By Ege Apaydın
Is there an argument to drop the cover-all term “queer” in favour of something that’s more specific to the subject of a piece of art?
Céline Sciamma set Cannes ablaze with the gorgeous period piece.
A painter falls in love with her subject in Céline Sciamma’s masterfully composed period piece.
By Ella Kemp
Jean Dujardin is dressed to kill in director Quentin Dupieux’s pitch-black sartorial satire.
Robin Campillo’s stirring AIDS activist drama is a vital reminder of the power of protest.
Robin Campillo’s rousing dramatisation of ’90s AIDS activism in France is a sure-fire Palme d’Or contender.
Adèle Haenel turns amateur sleuth as the Dardenne brothers try their hand at the murder-mystery genre.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
