Adèle Haenel

Why films about lesbian characters should be called lesbian films

By Dilara Elbir

Is there an argument to drop the cover-all term “queer” in favour of something that’s more specific to the subject of a piece of art?

Portrait of a Lady on Fire – first look review

By Adam Woodward

A painter falls in love with her subject in Céline Sciamma’s masterfully composed period piece.

Deerskin – first look review

By Ella Kemp

Jean Dujardin is dressed to kill in director Quentin Dupieux’s pitch-black sartorial satire.

120 Beats Per Minute

By Sophie Monks Kaufman

Robin Campillo’s stirring AIDS activist drama is a vital reminder of the power of protest.

review LWLies Recommends

120 Beats Per Minute – first look review

By Sophie Monks Kaufman

Robin Campillo’s rousing dramatisation of ’90s AIDS activism in France is a sure-fire Palme d’Or contender.

The Unknown Girl – first look review

By David Jenkins

Adèle Haenel turns amateur sleuth as the Dardenne brothers try their hand at the murder-mystery genre.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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