by Stefania Sarrubba
Director Kelly Walker explains how she came up with a novel solution to a creative problem.
by Daniel Theophanous
Levan Akin’s And Then We Danced has put LGBT+ rights centre-stage in the conservative, Orthodox country.
by Rosie Thompson
Céline Sciamma’s 18th-century romance beautifully portrays the hiddenness of same-sex relationships.
Let It Snow and Season of Love bring female queer romance to the fore.
by Thomas Hobbs
Mark Patton opens up about his experiences as the first ever male scream queen.
by Ronan Doyle
This year’s Iris Prize Film Festival in Cardiff showcased emerging trends across the spectrum of queer cinema.
by Ege Apaydın
Is there an argument to drop the cover-all term “queer” in favour of something that’s more specific to the subject of a piece of art?
by Ciara Pitts
From Gentleman Jack to Portrait of a Lady on Fire, TV and film are finding new ways to reflect on lesbian history.
by Sam Bodrojan
As a horror obsessive and trans woman, I found a filthy acceptance in this sleazy Child’s Play sequel.
by Megan Christopher
This year’s festival brought a diverse mix of LGBT-themed stories – as well as some star names.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.