Not Movies

Two people embracing on a dancefloor, bathed in blue and purple lighting.
Not Movies

Feel Good offers a fresh, relatable depiction of addictive love

by Emma Fraser

Mae Martin’s Channel 4/Netflix co-production tackles gender identity, female sexuality and drug dependency.
A person with dreadlocks standing behind a counter covered in vinyl records and music equipment.
Not Movies

Hulu’s High Fidelity is a musical meditation on (self-)love

by Roxanne Sancto

Zoë Kravitz plays the lead in this pleasing 10-part reimagining of Nick Hornby’s 1995 novel.
Colourful, psychedelic glasses on person's face against a backdrop of vibrant, blurred lights.
Not Movies

Sex Education and the search for truer pleasures

by Sophie Monks Kaufman

Laurie Nunn’s consistently funny, wonderfully acted series offers so much more than shallow titillation.
A man with long blond hair wearing a black shirt stands in a dark, dilapidated room with a large wooden barrel in the background.
Not Movies

The Witcher review – An entertaining romp through bleak high fantasy

by Kambole Campbell

Netflix’s Andrej Sapowski adaptation is playful, violent, and enamoured with Henry Cavill’s chest.
Two people embracing in front of a background of festive lights and decorations.
Not Movies

The L Word: Generation Q review – still struggling with growing pains

by Roxanne Sancto

Marja-Lewis Ryan reimagines her hit 2000s show for the current LGBT+ community, with mixed results.
Young woman with long brown hair wearing a white dress, seated in a rustic interior setting with wooden walls and antlers visible.
Not Movies

The End of the F***ing World returns with fresh faces and new twists

by Emma Fraser

British star Naomi Ackie joins Jessica Barden for the second season of the dark teen comedy.
Two cartoon horses, one standing at a sink and the other standing behind it, in a bathroom setting with green walls and shelves.
Not Movies

BoJack Horseman Season 6 offers a painfully real perspective on time

by Roxanne Sancto

The show’s final season finds our equine protagonist in a self-reflective mood.
A person wearing a hooded grey robe with a black mask, standing next to another person wearing a red robe.
Not Movies

Damon Lindelof’s Watchmen is the most incendiary show of 2019

by Hannah Strong

HBO’s remix of Alan Moore’s graphic novel is a strange, complicated beast – and all the better for it.
Colourful crowd with arms raised, celebrating at an outdoor festival.
Not Movies

Transparent Musicale Finale review – A colourful, flawed crescendo

by Roxanne Sancto

Jill Soloway’s hit series bows out in style, but the big, brassy show tunes don’t always hit the right notes.
A man with dark hair looking closely at a woman with long, blonde hair. They appear to be in a warm, yellow-toned setting.
Not Movies

Science-fiction and songwriting find perfect harmony in Carole & Tuesday

by Kambole Campbell

The latest anime series from Shinichirō Watanabe is among his kindest and most soulful to date.

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