Not Movies

Two people embracing in a dimly lit room, their profiles visible against a dark background.
Not Movies

Netflix’s The Innocents puts a horror twist on teenage romance

by Catherine Pearson

It may look like your average YA fodder, but there’s something sinister lurking beneath the surface of this supernatural drama.
A woman with long blonde hair wearing a black jacket, standing in a room.
Not Movies

20 of the best new TV shows you should watch

by Emma Fraser

From peak Amy Adams to the return of Matt Groening, these are the series you can’t afford to miss this summer.
A person with glasses and short hair speaking into a microphone on stage in a dimly lit environment.
Not Movies

The power of painful stories in Hannah Gadsby’s Nanette

by Hannah Strong

In her new Netflix special, the Australian comic refuses to play by the rules of stand-up comedy.
Image of a smiling woman wearing a striped top against a cityscape in the background.
Not Movies

With Netflix’s The Staircase, true crime has come full circle

by Nasri Atallah

The popularity of this and other recent series reveals something interesting about the genre’s limitations.
A group of women in colourful, stylised outfits posing together in front of a painted mural backdrop.
Not Movies

GLOW ‘Viking Funeral’ review – These girls are out to do more than have fun

by Roxanne Sancto

Season two sets us up for a deeper understanding of the show’s characters and their group dynamic.
Group of people laughing and shouting excitedly.
Not Movies

Sense8’s ‘Amor Vincit Omnia’ shows the power of positivity in adversity

by Roxanne Sancto

The feature-length finale gave fans, the characters and the Wachowskis the closure they all deserved.
Two people, a woman and a man, conversing intently in a dimly lit room with reddish lighting.
Not Movies

How The Americans uses pop culture to bridge Cold War politics

by Emma Fraser

References to Russian and US cinema help to make sense of the opposing ideologies of the time.
Two women, one with long dark hair and the other with shorter hair, facing each other in a kitchen setting.
Not Movies

How Phoebe Waller-Bridge is popularising the female gaze

by Roxanne Sancto

The Fleabag and Killing Eve series creator is putting complex, dangerous, relatable women on screen.
Woman with dark hair in a dimly lit room, wearing a dark green top.
Not Movies

The Handmaid’s Tale Season Two gets off to a harrowing start

by Roxanne Sancto

The situation hasn’t improved for Elisabeth Moss’ Offred in this gripping season opener.
Five men standing outside a shop selling Italian sausage, one wearing a patterned shirt, the others in casual clothing.
Not Movies

What would you like to see from the Sopranos prequel?

by Joe Boden

David Chase’s quintessential mob series looks set to grace the big screen in 2019.

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