by Simran Hans
A programming strand dedicated to female perspectives was a highlight of this year’s festival.
by James Douglas
Daniel Radcliffe goes off-grid and gets more than he bargained for in this muddled Amazonian adventure.
by David Jenkins
Abe Forsythe’s controversial new film Down Under is ruffling feathers among the Australian establishment.
Agnieszka Smoczynska’s The Lure raises a blood-stained middle finger to the likes of The Little Mermaid and Splash.
Anna Biller’s The Love Witch offers a playful take on a genre dominated by male perspectives.
Michelle Carey, Artistic Director of the Melbourne International Film Festival, offers some vital tips to budding programmers.
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