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The sublime short films of Derek Jarman, seen for the first time in decades

by Grace Dodd

Thanks to the efforts of the LUMA Foundation and Jarman’s friend James Mackay, a series of shorts produced by the pioneering filmmaker have been restored and screened for the first time in London.

What to watch at home in May

by Anton Bitel

A gothic ghost story, a Tokyo love story and a Bob Hoskins classic are among the highlights headed for new editions this month.

The Seed of the Sacred Fig – first-look review

by Mark Asch

An Iranian judge appointed to Tehran’s Revolutionary Court grapples with dissent both at work and at home in Mohammad Rasoulof’s politically charged thriller.

Cannes Special | The Shrouds + Megalopolis

On Truth & Movies this week, the team are coming at you live from the 2024 Cannes Film Festival with a round-up of all the great and the good movies they’ve caught, including Andrea Arnold’s Bird, David Cronenberg’s The Shrouds and Francis Ford Coppola’s Megalopolis.

September Says – first-look review

by Hannah Strong

Two sisters share an unshakable bond in Ariane Labed’s uniquely strange feature debut.

The Balconettes – first-look review

by Hannah Strong

Noémie Merlant’s sophomore feature, co-written by Celine Sciamma, is a riotous black comedy set on the hottest day of the year in Marseilles.

Beating Hearts – first-look review

by Hannah Strong

An archetypal good girl meets a boy from the wrong side of the tracks in Gilles Lellouche’s sweeping melodrama.

Motel Destino – first-look review

by Rafa Sales Ross

A young enforcer for a Brazilian gangster finds himself hiding out at a sleazy sex hotel in Karim Aïnouz’s neo-noir.

All We Imagine as Light – first-look review

by Jenna Mahale

Payal Kapadia’s first fiction feature is a gorgeous romance, concerning the lives of two contrasting nurses in present-day Mumbai.

Limonov: The Ballad – first-look review

by Isaac Feldberg

Ben Whishaw rises to the occasion of essaying the poet, provocateur and political dissident Eduard Limonov.