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Latest

Review

The Teacher review – a wonderful cinematic experience

by Grace Dodd

A Palestinian teacher has to reconcile his commitment to political resistance with his role as father-figure in Farah Nabulsi’s gripping feature debut.

4
Anticipation
4
Enjoyment
3
In Retrospect
Acting Up

Saoirse Ronan’s constant coming of age

by Casey Langton

As Saoirse Ronan stars in The Outrun, we examine how her debut as a child star has landed her a continued presence in the coming-of-age genre.
Review

Megalopolis review – scintillating, absurd and violently original

by David Jenkins

Ignore the haters – this is the kaleidoscopic, enriching, Wellsian vision of a grand old master with nothing to lose.

3
Anticipation
4
Enjoyment
4
In Retrospect
Festivals

On Falling – first-look review

by David Jenkins

The dire lot of a low paid factory worker is the subject of this rigorous if hardly revelatory character study from debut director Laura Carreira.
Festivals

Afternoons of Solitude – first-look review

by David Jenkins

Albert Serra’s extraordinary, intense portrait of toreador Andrés Roca Rey is one of the Spanish director’s finest works to date.
Review

Wolfs review – it’s content, not cinema

by Hannah Strong

Two lone wolf fixers bicker their way through Jon Watts’ sparkless action comedy, which wastes the charisma of George Clooney.

4
Anticipation
2
Enjoyment
2
In Retrospect
Interviews

Shatner’s Bassoon: Michael Cumming on the making of Brass Eye

by Adam Woodward

The director of the original series discusses its creation and legacy ahead of a new tour of his cult behind-the-scenes film, Oxide Ghosts.
Festivals

When Fall Is Coming – first-look review

by David Jenkins

This lightweight Chabrolian country drama from François Ozon sees an elderly retiree with a complex past trying to do right by her family.
Festivals

Emmanuelle – first-look review

by Rafa Sales Ross

Audrey Diwan’s take on the infamous erotic French novel is a chilly, bemusing affair that lacks for a sense of real purpose.
Festivals

The Serpent’s Path – first-look review

by David Jenkins

Kiyoshi Kurosawa’s third film of 2024 is a French-language remake of his own 1998 feature about a grim, cyclical revenge mission.

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