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Franz Rogowski: ‘If you talk about birds, you always talk about ethereal energy’

by Savina Petkova

The German star unlocks the process of deep immersion that led him to discovering his character in Andrea Arnold’s Bird.

Paddington 3 | Bird | No Other Land

On Truth & Movies this week, we discuss Paddington In Peru, the subject of the latest issue, Andrea Arnold’s Bird and spoke to its star Nykiya Adams. Finally we review the documentary No Other Land. 

Barry Keoghan: ‘I have my own method; I’m still learning and discovering’

by David Jenkins

The role of charismatic chancer Bug in Andrea Arnold’s Bird feels like a victory lap for Hollywood’s most unlikely new darling.

Paddington in Peru review – a very well-executed threequel

by David Jenkins

It’s three for three in the beloved bear franchise, as our marmalade-scoffing scamp heads off for an adventure in his South American homeland.

Andrea Arnold: ‘I’m very interested in the sensual world’

by Nia Childs

One of Britain’s foremost chroniclers of life in the economic margins opens up about the pressures of modern filmmaking and her desire to let audiences take what they want from her films.

Bird review – a magical, energetic marvel

by Hannah Strong

Social and magical realism merge in Andrea Arnold’s scintillating Thames Estuary fable about the friendship between a latchkey kid and a smiling wanderer searching for home.

Missing Child Videotape – first-look review

by Hannah Strong

Kondo Ryota’s debut feature is a chilling ghost story that begins with a videotape – but that’s where the similarities to Ringu end in this impressive new J‑Horror.

Inside the fight to make Audio Description a non-negotiable part of the film industry

by Emma Cieslik

A crucial tool for visually impaired cinema lovers yet often undervalued by the industry, it’s about time that audio description’s worth is heard.

Anora | Heretic + Scott Beck and Bryan Woods | Pretty Woman (1990)

On Truth & Movies this week we commence with Palme d’Or winner Anora. We then review Hugh Grant’s twisted turn in Heretic and spoke to its directors Bryan Woods and Scott Beck. Finally, for film club, we revisit Garry Marshall’s Pretty Woman.

Teki Cometh – first-look review

by Hannah Strong

An elderly man plans the final year of his life in Daihachi Yoshida’s impressive adaptation of Yasutaka Tsutsui’s novel.