by David Jenkins
A power struggle at the heart of the Catholic church is the conceit for Edward Berger’s quite silly papal drama.
by Yasmine Kandil
Although it doesn’t quite soar to the heights of the original, there’s a lot to enjoy in this delightful sequel.
by Marina Ashioti
This occasionally-vibrant odd couple gay relationship drama is too superficial and silly to leave a lasting mark.
This vital and deeply personal essay doc carefully dissects and dismantles age-old representations of witches.
by Fatima Sheriff
CGI Blockbuster visuals aside, there’s much to love in Jon M Chu’s adaptation of one of Broadway’s biggest musical successes.
Christmas Eve in Miller’s Point is a Yuletide classic in the making, and its director has a sincere fondness for the holiday season.
by Erin Mussett
Jesse Eisenberg, Malcolm Washington and Christopher Andrews explored the diverging manifestations of generational trauma at this year’s London Film Festival.
by Phil Concannon
Johan Grimonprez’s documentary explores the circumstances that led two American jazz musicians to crash the UN Security Council in protest against the murder of Congolese leader Patrice Lumumba.
by Hannah Strong
A large Italian-American family gather for the holidays in Tyler Taormina’s freewheeling festive feature.
On Truth & Movies this week we commence with Ridley Scott’s Gladiator II and spoke to it’s star Connie Nielsen. We then also review the holiday comedy Christmas Eve In Miller’s Point and, for Film Club, revisit Gladiator
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