by Leila Latif
Nicole Kidman and Javier Bardem play TV legends Lucille Ball and Desi Arnaz in Aaron Sorkin’s snappy biopic.
by Sean Wilson
Composer Magazine takes a look at the elements which earn a film score a place in the history books.
by Charles Bramesco
The latter portrays Neville Chamberlain in this dramatisation of the 1938 Nazi appeasement in Munich.
by Anton Bitel
Stefan Avalos and Lance Weiler’s 1998 horror mockumentary The Last Broadcast predates The Blair Witch Project.
by Adam Scovell
In the 1960s and ’70s, a spate of low-rent exploitation films tapped sorcery and the occult for cheap, sleazy thrills.
by Emma Fraser
This intimate documentary sees the trailblazing Hollywood icon tell her remarkable story in her own words.
by Hannah Strong
Despite some compelling performances, Michael Pearce’s sci-fi thriller fails to live up to the promise of his debut, Beast.
by David Jenkins
Steven Spielberg comes a‑cropper in this stiff and soulless revamp of the classic Leonard Bernstein barnstormer.
The cinematographer reveals the trick to shooting digital cows, and why the film is really a monster movie.
Justin Chon’s melodramatic tale of immigration and injustice in present-day America is undermined by a clichéd script.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.