by Trevor Johnston
The Japanese master delivers his second smash hit of the year with a series of vignettes on human relationships.
by Forrest Cardamenis
Rotterdam International Film Festival offered a rich programme in its second virtual edition, with intriguing sidebars on two vastly different artists.
by Megan Wallace
From the Basque-language drama Loreak to the snuff film-inspired Tésis, there’s more to Spanish cinema than Almodóvar.
by Charles Bramesco
In the upcoming film, Jessie Buckley brings her grief to a solo holiday in the English countryside.
by Hannah Strong
Kenneth Branagh directs and stars in a second Agatha Christie adaptation, but we’d rather he hadn’t.
by Mark Asch
Kirill Serebrennikov presents a fascinating, intense portrait of a comic book artist who suffers from a strange illness.
by Leila Latif
The latest ripped-from-the-headlines drama is glossy but potentially as toxic as its girlboss villain.
The Academy voters shied away from the sort of film generally considered “awards bait” and instead went for critical darlings.
The clown prince of MTV reflects on returning to Jackass 20 years after it all began, and if the new stunts still hurt like they used to.
by Ella Kemp
A gay Afghan man leaves his home for a new life in Denmark in Jonas Poher Rasmussen’s moving documentary.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
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