by Erin Brady
Beth de Araújo takes viewers into a white supremacist nightmare in her terrifying yet staggering directorial debut.
by Annie Lyons
A talented cast including Alison Brie and Aubrey Plaza can’t save Jeff Baena’s Italian sojourn from taking a sour turn towards the tedious.
by Charles Bramesco
All work and no play will make director Ivo van Hove and star Ben Stiller dull boys.
by Marina Ashioti
A Polish documentary explores the history and artistic trauma surrounding Andrzej Żuławski’s fragmented sci-fi magnum opus.
by S.L. Page
Steven Soderbergh’s psychological thriller illustrates how vulnerable women are routinely treated by healthcare systems.
In our series examining the Best Picture contenders of 2022, a salute to the easy lyricism of Spielberg’s musical remake.
by Anton Bitel
Kaizo Hayashi’s ’80s crime drama To Sleep So as to Dream is a rich homage to Japan’s cinematic heritage.
Prescient and deeply affecting Ukraine-set doc exploring the lives of children displaced by the country’s 2014 invasion.
by Anna Bogutskaya
Ti West creates a new cultural association with ‘Don’t Fear the Reaper’ that’s not Christopher Walken demanding more cowbell.
Our series on the most spell-binding moments from 2022’s Best Picture Nominees continues with Jane Campion’s tense take on the Old West.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.