by Hannah Strong
Nicolas Cage plays an out-of-work version of himself in Tom Gormican’s well-meaning but underwhelming meta action-comedy.
by Lillian Crawford
The Belgian director of harrowing Cannes stand-out Playground on the intricacies of making a film from the perspective of kids.
by David Jenkins
Audrey Diwan’s significant and unflinching adaptation of Annie Erneux’s memoir of a teen abortion is one of the year’s best films.
by Charles Bramesco
The new film from the studio behind Song of the Sea and Wolfwalkers will be released by Netflix.
by Caitlin Quinlan
A young brother and sister’s relationship is tested when they experience schoolyard bullying in Laura Wandel’s harrowing drama.
While Hollywood strip-mines its own IP half to death, Toho Pictures is showing the world how franchising is done.
They’ll be joined by fellow luminaries Alex Garland and Pietro Marcello when the Quinzaine returns to Cannes next month.
by Marta Djordjevic
Through her carefully-crafted persona and infamous publicity stunts, she was truly the first example of an A‑lister famous for being famous.
by Little White Lies
Three decades after it first shocked audiences, John McNaughton’s twisted thriller receives a 4K re-release courtesy of Arrow Films.
by Anton Bitel
Fredric Hobbs’ surreal 1973 film sees a giant mutant sheep terrorise the residents of a sleepy town in rural Nevada.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.