By Juan Barquin
The Pope of Trash on 50 years of Pink Flamingos and waking up each morning and trying to be nuts in new and exciting ways.
The writer/director of Hit the Road reflects on finding comfort in car journeys and learning to see beyond genre.
The German multi-hyphenate on how he’s future-proofing classics like Wings of Desire and Paris, Texas.
The Swedish filmmaker reflects on how her time as a teenage anti-porn activist eventually led her to create the pro-sex work drama Pleasure.
The Italian filmmaker on his slow-cooked wonder, Il Buco, and the artistic joys of discovering something new.
The French writer/director of Innocence and Earwig explains why she tells stories from a dream logic perspective.
The Bergman Island writer/director on the Swedish maestro, the inner lives of artists and the process of bringing dreams to life.
The man behind Bob’s Burgers talks about the show’s transition to the big screen for a murder mystery musical.
The Argentinian enfant terrible on death, sex, his mature new film Vortex and why making TV shows isn’t worth his freedom.
The creative process under Covid takes centre stage in the director’s third collaboration with Nick Cave, co-starring his friend and frequent collaborator.
The We’re All Going to the World’s Fair director reflects on the importance of allowing trans filmmakers to tell their own stories.
The Belgian director of harrowing Cannes stand-out Playground on the intricacies of making a film from the perspective of kids.
Three decades after it first shocked audiences, John McNaughton's twisted thriller receives a 4K re-release courtesy of Arrow Films.
As he prepares to unleash hell in The Northman, we profile the Swedish actor who realises his lifelong dream with this Scandanavian epic.
The visionary director of The Northman talks scaling up production, his love of Viking culture, and the perils of working with a flock of birds.
The Dutch provocateur chats lesbian nuns, alternate realities and his undying love for Quentin Tarantino.
The director of Compartment No. 6 on the joys of filming on location – in this case, a vintage passenger train.
By Sam Moore
The producer of The Canyons and The Card Counter reflects on his experience working with one of Hollywood’s most outspoken auteurs.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
