Interviews | Little White Lies

Interviews

Interviews

Yorgos Lanthimos: ‘Why is sex such a taboo? I really don’t understand’

by Hannah Strong

Yorgos Lanthimos on the intricate cine-suture work that it took to make his magnificent new film, Poor Things.
Interviews

Cailee Spaeny: ‘People feel really inspired by Sofia Coppola and nourished creatively’

by Hannah Strong

The star of Sofia Coppola’s Priscilla, who won the Volpi Cup at the Venice Film Festival for her performance, reflects on the experience of working with Coppola as well as her co-star Jacob Elordi.
Interviews

Ariane Labed: ‘It’s a fight if you want to shoot on film’

by Vince Medeiros

On the ground at the Thessaloniki Film Festival, we caught up with one of our favourite actors to discuss her new role in gothic delight, The Vourdalak.
Interviews

Tarsem Singh: ‘I went bankrupt making The Fall, and I’d go bankrupt another ten times to do it’

by Christina Newland

The visionary Indian director behind modern cult favourite The Fall reflects on the film finding its audience after 17 years, and the production of Dear Jassi – his first feature film in almost a decade.
Interviews

Carol Morley: “I could tell straight away that Audrey Amiss was a completely fascinating person”

by David Jenkins

The intrepid British director on being one of the first people to lay their eyes on the archives of the late artist Audrey Amiss – subject of Typist, Artist, Pirate, King.
Interviews

Martin Scorsese: ‘What is it about us as human beings that allows for us to be so compartmentalised?’

by Christina Newland

Speaking at the global press conference for Killers of the Flower Moon, Martin Scorsese provides insights into his research process and use of music, as well as discovering Lily Gladstone via Kelly Reichardt’s Certain Women.
Interviews

‘Tom understood this wasn’t a film about being tough, it was about fairies’ – Nicolas Winding Refn on Bronson at 15

by Simon Bland

The Drive director reflects on smuggling Bronson’s actual moustache out of prison and the personal story behind his ethereal biopic of the UK’s most notorious inmate.
Interviews

Thelma Schoonmaker: ‘Powell left a little furnace burning inside of me’

by Lillian Crawford

Ahead of the BFI’s landmark Powell & Pressburger retrospective, the legendary film editor speaks about her relationship with Michael Powell, the process of restoring film, and how Powell & Pressburger influenced Killers of the Flower Moon.
Interviews

Misan Harriman: “There is grace in the process of having open wounds.”

by David Jenkins

The famed photographer turns his hand at filmmaking with a study of extreme trauma and slow healing in The After.
Interviews

Matt Johnson: “People say ‘Now you’ve got to make the Twitter movie'”

by Simon Bland

The writer, director and co-star of BlackBerry – an irreverent take on the rise and fall of a tech giant – reflects on his third feature while making his way across Toronto.

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