Interviews | Little White Lies

Interviews

Illustration of a man in a green turban smoking a pipe, with a crescent moon and city skyline in the background.
Interviews

Miguel Gomes: ‘This film is like a secret door that I entered’

by David Jenkins

The Por­tuguese writer/​director on his won­drous three-part epic Ara­bi­an Nights.
A smiling man with glasses against a colourful graffiti-painted wall.
Interviews

Joachim Trier: ‘Making movies takes something out of you every time’

by David Jenkins

The Nor­we­gian direc­tor of Loud­er Than Bombs talks us through the intri­ca­cies of his writ­ing process.
Portrait of a man with short dark hair against a pattern of intersecting orange and black lines and shapes.
Interviews

Hirokazu Koreeda: ‘Families are priceless but troublesome’

by David Jenkins

One of Japan’s best liv­ing direc­tors tells us about adapt­ing man­ga and mim­ic­k­ing Ozu.
Blue and white jigsaw puzzle depicting a man's face, with a hand placing a puzzle piece on his face.
Interviews

Jeff Nichols: ‘I think I can call myself a capable director at this point’

by Adam Woodward

The Amer­i­can writer/​director of Mid­night Spe­cial on hon­ing his craft and retain­ing cre­ative control.
Illustrated portrait of a bearded man with stern expression, set against a busy background of red and orange shapes and text.
Interviews

Sebastian Schipper: ‘I’m so fed up with people trying to sugarcoat everything’

by Sophie Monks Kaufman

The Ger­man direc­tor of Vic­to­ria reveals the cra­zi­est thing he’s ever done for love.
Portrait of a woman with long dark hair against a background of abstract geometric patterns in shades of blue.
Interviews

Alice Winocour: ‘I put all of my fears into this film’

by Sophie Monks Kaufman

A female direc­tor mak­ing a tense action thriller is a rare beast. We meet a new and great one.
Illustration depicting two baroque-era musicians, one playing a violin and the other seated at a harpsichord. Warm colour palette with browns, greens, and yellows.
Interviews

Charlie Kaufman & Duke Johnson: ‘We didn’t know if we were ever going to finish this movie’

by Sophie Monks Kaufman

One of America’s most laud­ed screen­writ­ers and a mae­stro of stop-motion ani­ma­tion have teamed up for Anomalisa.
Reclining figure in peaceful purple seascape, with distant ships and rocky cliffs.
Interviews

Robert Eggers: ‘The voices of the dead talk a lot louder to my imagination’

by Adam Woodward

The Witch puts in an ear­ly bid to be crowned 2016’s scari­est film. Meets its director.
Illustrated portrait of a man with blonde hair and a mustache, set against a vibrant geometric background in turquoise, black, and cream tones.
Interviews

László Nemes: ‘I wanted recreate the experience of Auschwitz’

by Sophie Monks Kaufman

The Hun­gar­i­an direc­tor reveals how per­son­al obses­sion fuelled his award-win­ning Holo­caust dra­ma, Son of Saul.
Illustration of a woman with blonde curly hair, wearing a pink dress, set against a pink and grey background with patterns.
Interviews

Gina Carano: ‘I never thought I’d eventually be in a Marvel movie’

by David Jenkins

A one-time mixed mar­tial arts champ com­pletes her tran­si­tion to the big screen with Deadpool.

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