Interviews | Little White Lies

Interviews

Monochrome illustration of a young person's face with their head exploding into an intricate, surreal, and fantastical pattern of abstract shapes, lines, and forms.
Interviews

Gareth Edwards: The Last Detail

by David Jenkins

Inside the hyper-charged mind of the Rogue One: A Star Wars Sto­ry director.
Group portrait of young people with cats, set against a starry night sky background. The image features a mix of hand-drawn stylised facial features and figures in black and white.
Interviews

Chloë Sevigny: ‘Movies just aren’t as bold as they were in the ’90s’

by Steven T Hanley

The actress and fash­ion icon reflects on her ear­ly career and dis­cuss­es step­ping behind the cam­era for her debut short, Kitty.
Illustration of a man wearing a cap with the word "Bouncer" on it, shown in a distinctive red and white style.
Interviews

Ben Younger: ‘I had to borrow money out of my mom’s 401k, it’s not a good look’

by Adam Woodward

The one-time prize­fight­ing direc­tor dis­cuss­es his return to the movie ring after an extend­ed hiatus.
Black and white line art illustration depicting a close-up portrait of a man's face with bold features, surrounded by various geometric shapes and patterns.
Interviews

Jim Jarmusch: ‘The spirit of punk is even more valuable now than ever’

by Zach Lewis

The indie idol dis­cuss­es Pater­son, the musi­cal­i­ty of movies and how Man Ray made films for his band to play along to.
Illustration of a bespectacled young person against a cityscape with a firework display in the sky.
Interviews

Makoto Shinkai: ‘You can’t be Miyazaki, you can only be the second Miyazaki’

by Michael Leader

Meet the Japan­ese direc­tor behind the ani­mé smash hit Your Name.
Illustration of a man with glasses and a pensive expression against a background of swirling green and yellow shapes.
Interviews

Paul Schrader: ‘In the ’70s it wasn’t that the films were better, it was the audiences’

by Matt Thrift

The vet­er­an Hol­ly­wood mav­er­ick talks Dog Eat Dog, Scors­ese and the chal­lenges of mod­ern moviemaking.
A stern-faced man wearing a white vest, leaning against a wooden doorframe.
Interviews

David Oyelowo: ‘The best of us is to love and be loved’

by Sophie Monks Kaufman

The star of A Unit­ed King­dom talks frankly and open­ly about the impor­tance of faith in life and work.
Black and white illustration depicting five figures against a starry sky background. The figures include an older man with a prominent brow, a man with long hair and a crown-like headpiece, a figure with a skull-like mask, a man with spiky hair, and a creature with a large mouth. The figures are holding various musical instruments.
Interviews

John Carpenter: ‘A lot of purists want to go back to using film, but you’ve got to keep moving with the times’

by Adam Woodward

The cult direc­tor talks remakes, his love of ear­ly syn­the­sis­ers and why nos­tal­gia works in mys­te­ri­ous ways.
Illustration of a man in a suit holding a pink pig, set against a hexagonal black background on a bright blue backdrop.
Interviews

Charlie Brooker: ‘Once you’ve f**ked a pig on the telly, you’ve shifted the bar for what’s acceptable’

by Michael Leader

The Black Mir­ror writer dis­cuss­es the show’s switch to Net­flix, and why he loves tor­tur­ing his characters.
Bald man in suit with finger to lips against red brick wall.
Interviews

John Michael McDonagh: ‘I’ve become more jaded the more films I’ve made’

by Adam Woodward

The War on Every­one writer/​director opens up about his con­flict­ed rela­tion­ship with his craft.

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