by Anahit Behrooz
The writer/director of Hit the Road reflects on finding comfort in car journeys and learning to see beyond genre.
by David Jenkins
The German multi-hyphenate on how he’s future-proofing classics like Wings of Desire and Paris, Texas.
by Hannah Strong
The Swedish filmmaker reflects on how her time as a teenage anti-porn activist eventually led her to create the pro-sex work drama Pleasure.
by Ben Nicholson
The Italian filmmaker on his slow-cooked wonder, Il Buco, and the artistic joys of discovering something new.
by Katherine Connell
The French writer/director of Innocence and Earwig explains why she tells stories from a dream logic perspective.
The Bergman Island writer/director on the Swedish maestro, the inner lives of artists and the process of bringing dreams to life.
by Charles Bramesco
The man behind Bob’s Burgers talks about the show’s transition to the big screen for a murder mystery musical.
The Argentinian enfant terrible on death, sex, his mature new film Vortex and why making TV shows isn’t worth his freedom.
by Greg Wetherall
The creative process under Covid takes centre stage in the director’s third collaboration with Nick Cave, co-starring his friend and frequent collaborator.
by Natalie Marlin
The We’re All Going to the World’s Fair director reflects on the importance of allowing trans filmmakers to tell their own stories.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.