The Fab Four are no more in the Yesterday trailer | Little White Lies

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The Fab Four are no more in the Yes­ter­day trailer

12 Feb 2019

Words by Charles Bramesco

A man with curly ginger hair and glasses, wearing a black jumper, stands in a room next to a coat on a rack.
A man with curly ginger hair and glasses, wearing a black jumper, stands in a room next to a coat on a rack.
In Dan­ny Boyle and Richard Cur­tis’ new com­e­dy, the Bea­t­les have been erased from history.

The Bea­t­les, the con­sen­sus pick for the great­est rock band of all time, exert­ed an indeli­ble influ­ence over pret­ty much all of mod­ern music­dom. What would the indus­try look like if the Fab Four had nev­er come along and rev­o­lu­tion­ized the field?

That ques­tion goes unan­swered in the new trail­er for Yes­ter­day, which instead uses this premise as the foun­da­tion for a rock-and-roll fan­ta­sy with a coun­ter­melody of romance.

Fol­low­ing a head injury, hap­less gui­tarist Jack (Himesh Patel) wakes up in a world where nobody has any aware­ness what­so­ev­er of John, Paul, George, and Ringo. Because the state of music itself oth­er­wise appears mirac­u­lous­ly unal­tered, he fig­ures he can pass such mas­ter­pieces as Yes­ter­day’ and Hey Jude’ off as his own to achieve instant stardom.

He rides the rock­et to the top, but finds that fame may not be all it’s cracked up to be; he’s los­ing touch with his best friend – and, inevitably, lover – Ellie (Lily James), and a preda­to­ry Amer­i­can exec­u­tive (Kate McK­in­non) wants to wring every last cent out of Jack while the wring­ing is good. Soon­er or lat­er, he’ll have to give up the game, but not before meet­ing Ed Sheeran.

This pic­ture was direct­ed by Dan­ny Boyle, whose Oscar vic­to­ry and glob­al esteem as an auteur grow fainter in the cul­tur­al mem­o­ry with each new fea­ture. One day, nobody will recall them at all, except for one frus­trat­ed small-town film­mak­er who will then find overnight suc­cess by remak­ing 28 Days Lat­er shot for shot.

Yes­ter­day comes to cin­e­mas in the US and UK on 28 June.

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