Time stops for love in the first trailer for The… | Little White Lies

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Time stops for love in the first trail­er for The Worst Per­son in the World

20 Sep 2021

Words by Charles Bramesco

Smiling woman in navy shirt crossing street, urban setting with trees and vehicles.
Smiling woman in navy shirt crossing street, urban setting with trees and vehicles.
Renate Reinsve won the Best Actress prize at Cannes for Joachim Trier’s mul­ti-lay­ered romance.

One of the break­out suc­cess­es from this year’s Cannes Film Fes­ti­val was The Worst Per­son in the World, the lat­est film from Norway’s Joachim Tri­er. The reviews were glow­ing across the board, star Renate Reinsve took home the Best Actress prize, and dis­tri­b­u­tion deals for the UK and North Amer­i­ca quick­ly followed.

Today, every­one can get a glimpse of what all the fuss is about with the first trail­er for the down­beat romance, post­ed online this after­noon. To the sounds of the all-too-apro­pos I Said Good­bye to Me” by Har­ry Nils­son, we meet the pas­sion­ate yet rud­der­less Julie and the two men between whom she’s torn.

The third part in Trier’s so-called Oslo Tril­o­gy,” the film chron­i­cles the quar­ter-life cri­sis send­ing Julie from the arms of her boyfriend Aksel (Anders Danielsen Lie) into the embrace of the entic­ing Eivind (Her­bert Nor­drum), her roman­tic ambiva­lence in sync with her aim­less career path. Divid­ed between the men, each chal­leng­ing in their own unique­ly hand­some way, she’s like­wise divid­ed between ver­sions of her­self, unsure what she wants to do or who she wants to be.

At Cannes, our woman on the scene Han­nah Strong had plen­ty of pos­i­tive things to say about the dra­ma in her review: “…there’s a truth behind every pithy utter­ance which feels nov­el, and when the script veers toward heartache it hits hard­er for how much we’ve come to care for the three odd­balls at the film’s cen­tre. It’s ear­ly days at Cannes 2021, but The Worst Per­son in the World already feels like a future clas­sic, and Renate Reinsve is hope­ful­ly a star on the rise.”

NEON acquired the film for the US and MUBI will release it in the UK, but nei­ther out­fit has set a date as of yet. The film being Norway’s odds-on sub­mis­sion for the Acad­e­my Award, a late-in-the-year run to coin­cide with that cam­paign is all but assured.

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