by Rachel Pronger
Before she was a global superstar, the Icelandic singer was a bewitching supporting player in Nietzchka Keene’s folklore drama.
by Adam Scovell
Sixty years after its release, the acting great’s unnerving performance as vengeful convict Max Cady still packs a punch.
by Nick Joyner
Over 30 years later, Todd Haynes’ experimental documentary remains a visionary look at female celebrity.
by Marina Ashioti
In praise of Juho Kuosmanen’s Compartment No. 6 and a scene of human connection around shots of moonshine.
by Hannah Strong
Bradley Cooper’s suave carny gets his comeuppance at the climax of Guillermo del Toro’s neo-noir.
by Anne-Sofie Lindgaard
Parallel Mothers and The Lost Daughter operate as engaging texts on the contradictions and complications of being a mother.
by Matt St Clair
As she receives an honorary Academy Award, we celebrate Liv Ullmann’s lead turn in an Ingmar Bergman classic.
by Elizabeth Wiart
Paul Thomas Anderson centres the quintessential awkward family dinner to delightful effect.
by Savina Petkova
To celebrate the release of The Worst Person in the World, we take a closer look at the locations which paint Oslo as a city of one’s own.
by S.L. Page
Steven Soderbergh’s psychological thriller illustrates how vulnerable women are routinely treated by healthcare systems.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.