In Conversation | Little White Lies

In Conversation

Interviews

Charlie Brooker: ‘Once you’ve f**ked a pig on the telly, you’ve shifted the bar for what’s acceptable’

by Michael Leader

The Black Mirror writer discusses the show’s switch to Netflix, and why he loves torturing his characters.
Interviews

John Michael McDonagh: ‘I’ve become more jaded the more films I’ve made’

by Adam Woodward

The War on Everyone writer/​director opens up about his conflicted relationship with his craft.
Interviews

Liam Gallagher: ‘What we did in three years took the Beatles eight’

by Mat Whitecross

Director Mat Whitecross speaks to the former Oasis frontman about the band’s whirlwind early years.
Interviews

Ira Sachs: ‘In the age of Netflix, I’ve been showing my kids Buster Keaton’

by David Jenkins

The US writer/​director of Love is Strange and Little Men on indie cinema, Ozu and climbing mountains.
Interviews

Taika Waititi: ‘I often fantasise about stopping making films’

by Poppy Doran

The Kiwi writer/​director talks poking fun at his homeland and why he won’t be making movies forever.
Interviews

David Mackenzie: ‘My film asks some important questions about America’

by Adam Woodward

The Hell or High Water director on the themes and influences that make up his finely crafted anti-western.
Interviews

Mathieu Amalric: ‘Some people need to have sex every day’

by David Jenkins

The French actor and sometime director discusses his deliciously nasty take on a Georges Simenon classic.
Interviews

Todd Phillips: ‘The world is waking up to the fact that the system is rigged’

by Adam Woodward

The War Dogs director talks truth, Trump and why laughter will always be the best medicine.
Interviews

Brady Corbet: ‘I wanted to make a poetic film about politics’

by Ed Gibbs

The actor discusses stepping behind the lens for his startling directorial debut The Childhood of a Leader.
Interviews

Jaume Collet-Serra: ‘If I was in that situation, I would die in two seconds’

by Adam Nayman

The Spanish genre master on directing The Shallows, working with SFX and why Orphan is so funny.

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