by David Jenkins
The French maestro on his acerbic new film Non-Fiction and why he’s a software rather than a hardware guy.
by Elena Lazic
As her new film American Woman attests, the one-time “It girl” has grown into a reliable character actor.
by Guy Lodge
The American star discusses slipping into the skin of Hollywood’s tragic sweetheart, Judy Garland.
by Adam Woodward
The British-Nigerian filmmaker on his intimate portrait of black masculinity, The Last Tree.
by Matt Thrift
The Ad Astra director on how Brad Pitt helped him to make the sprawling sci-fi opus he had inside his head.
We talk to the director of 2001 comedy masterpiece Ghost World ahead of an immersive London screening and soundtrack re-release.
by Kambole Campbell
Director and designer Shōji Kawamori sees hand-drawn animation going the way of noh or kabubki in Japan.
by Sophie Monks Kaufman
The writer/director and star of The Souvenir discuss diaries, memories and the life-changing qualities of making art.
The Mexican auteur reflects on Our Time whether those who create art are all-seeing creatures.
Akron’s finest chats riffing on George A Romero and fearing for our future in The Dead Don’t Die.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.