10 great heist movies to get you in the mood for… | Little White Lies

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10 great heist movies to get you in the mood for Baby Driver

28 Jun 2017

Words by Ian Gilchrist

Man wearing sunglasses in dark setting
Man wearing sunglasses in dark setting
Clas­sic crime-thrillers to seek out – from Rifi­fi to Thief, Dog Day After­noon to Reser­voir Dogs.

Cinema’s love affair with the heist movie stretch­es all the way back to 1905 with Edwin S Porter’s The Great Train Rob­bery, an enor­mous nick­elodeon hit which was also ground­break­ing in its use of nar­ra­tive cross-cut­ting. Var­i­ous the­o­ries abound as to why heist movies have enjoyed such long-last­ing pop­u­lar­i­ty, the two most com­mon being that audi­ences sim­ply love see­ing aver­age Joes stick­ing it to The Man, and the acqui­si­tion of wealth in exchange for a rel­a­tive­ly brief peri­od of graft, bypass­ing the years of toil nor­mal­ly required to achieve one’s piece of the Amer­i­can Dream.

These films often involve very detailed, almost real-time por­tray­als of the plan­ning and exe­cu­tion of a heist; the process­es of crime and the cama­raderie and mores of crim­i­nals clear­ly fas­ci­nates and tit­il­lates many osten­si­bly law-abid­ing cit­i­zens. Here then are 10 of our favourite heist movies, pre­dom­i­nant­ly cov­er­ing the hard­boiled end of the genre as opposed to lighter-heart­ed capers like The Ital­ian Job or Ocean’s 11.

Stan­ley Kubrick’s sec­ond fea­ture, co-writ­ten by pulp mas­ter Jim Thomp­son and fea­tur­ing a cast of film noir stal­warts (Elisha Cook Jr, Marie Wind­sor, Ted de Cor­sia, Coleen Gray and the mar­vel­lous Ster­ling Hay­den) is a tight­ly wound 85-minute mas­ter class in stop­watch heist exe­cu­tion (in this instance, of a teem­ing race track in broad day­light). The Killing has influ­enced every heist movie that’s pro­ceed­ed it.

Writ­ten and direct­ed by exiled Amer­i­can film­mak­er Jules Dassin, this metic­u­lous French noir’s jew­el heist was inspired by an actu­al rob­bery that took place in Mar­seille in 1899. Rather unique­ly, the 28-minute heist is not the cli­max of the film but is its cen­tre­piece, and takes place in com­plete silence, with­out dia­logue or music.

Some­thing of a lost minor clas­sic, this 1978 adap­ta­tion of a nov­el by ex-con­vict Edward Bunker (Reser­voir Dogs’ Mr Blue) was a pas­sion project for Dustin Hoff­man, who bought the rights to Bunker’s No Beast So Fierce with the inten­tion of direct­ing it. Hoff­man stars as Max Dem­bo, a parolee who fails to go straight, falling into armed rob­bery with a kind of trag­ic inevitabil­i­ty thanks in large part to the cru­el­ty and indif­fer­ence of the jus­tice system.

Sid­ney Lumet’s tra­gi-com­ic heist tale is inspired by a true sto­ry – and a tru­ly bizarre one at that. Son­ny Wortzik (Al Paci­no) and Sal Nat­u­rale attempt to rob a Brook­lyn bank in August 1972; the job goes awry and hostages are tak­en, and the sit­u­a­tion degen­er­ates to near farce. It’s revealed that Son­ny is rob­bing the bank to pay for gen­der reas­sign­ment surgery for his part­ner Leon, just as John Woj­tow­icz actu­al­ly did in Brook­lyn in 72, a sto­ry which is touch­ing­ly recount­ed in the excel­lent 2013 doc­u­men­tary The Dog.

A riv­et­ing exam­i­na­tion of the ways and means of a mas­ter safe crack­er, played by an unchar­ac­ter­is­ti­cal­ly icy James Caan. The film is based on the actu­al exploits of John Allen Sey­bold, who under his pen name Frank Hohimer act­ed as a tech­ni­cal advi­sor on the shoot while there were out­stand­ing FBI war­rants out for him. Michael Mann’s fea­ture debut is undoubt­ed­ly one of the most tech­ni­cal­ly accu­rate por­tray­als of a thief’s modus operandi.

The only film on the list that doesn’t actu­al­ly show the heist that’s osten­si­bly at its heart, the nar­ra­tive spends a brief amount of time on the plan­ning of a jew­ellery store rob­bery and some key char­ac­ter rev­e­la­tion, but pri­mar­i­ly focus­es on the bloody after­math of the botched job – one of the gang is a rat. Quentin Tarantino’s furi­ous­ly enter­tain­ing debut bor­rows lib­er­al­ly from Hong Kong heist flick City on Fire, but the crack­ling macho ban­ter and deep love of pop cul­ture announced the arrival of a sin­gu­lar Amer­i­can talent.

Ben Affleck’s sec­ond time in the director’s chair fea­tures some of the most vicious bank rob­bery footage ever com­mit­ted to film. This bru­tal Boston gang isn’t about finesse and skill; they storm banks heav­i­ly dis­guised and heav­i­ly armed, bat­ter any­one who gets in their way, grab the cash, oblit­er­ate DNA traces and roar off just ahead of the law. Affleck’s skill with edge-of-the-seat action is thrilling­ly show­cased here.

Michael Mann’s oth­er heist clas­sic was high­ly antic­i­pat­ed on release for the first ever onscreen pair­ing of Al Paci­no and Robert De Niro, but the film is now high­ly regard­ed for its rob­bery set-pieces, includ­ing the incred­i­ble Bat­tle of North Hol­ly­wood’. The film was inspired by Chica­go detec­tive Charles Adamson’s pur­suit of armed rob­ber and bur­glar Neil McCauley (DeNiro’s char­ac­ter shares the name) in 1964 – the two actu­al­ly met for cof­fee as they do in the film and their con­ver­sa­tion is large­ly recre­at­ed verbatim.

This high­ly fic­tion­alised account of the noto­ri­ous Great Train Rob­bery is the best ever hard British heist film. Pro­duced by and star­ring Stan­ley Bak­er, this is a tough, grip­ping film full of love­ly 60s loca­tion footage; a police chase through Lon­don fol­low­ing a dar­ing day­light jew­el snatch that opens the film led direct­ly to Steve McQueen request­ing Peter Yates to direc­tor Bul­litt the fol­low­ing year.

There’s a time­less qual­i­ty to this exhil­a­rat­ing yarn. Set in dusty rur­al Texas, direc­tor David Macken­zie and screen­writer Tay­lor Sheridan’s sto­ry of mul­ti­ple bank rob­beries by two broth­ers (Ben Fos­ter and Chris Pine) deter­mined to save their fam­i­ly ranch from fore­clo­sure could just as eas­i­ly take place dur­ing the depres­sion-era 30s. Fea­tur­ing yet anoth­er huge­ly endear­ing per­for­mance by Jeff Bridges as the near­ly retired Texas Ranger on their trail, this is the best heist film of the decade to date.

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