Five great travel films that will make you want… | Little White Lies

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Five great trav­el films that will make you want to stay home

06 Jun 2017

Words by Daisy Phillipson

Group of people sitting outdoors on a platform, some appear pensive or distressed.
Group of people sitting outdoors on a platform, some appear pensive or distressed.
As the likes of Berlin Syn­drome and Sin Nom­bre show, some­times stay­ing put real­ly is the bet­ter option.

Cin­e­ma has the pow­er to make us want to explore areas of life we might have nev­er con­sid­ered before. The con­cept of trav­el is often pre­sent­ed in a roman­ti­cised light, invok­ing an urge to repli­cate the aes­thet­ic land­scapes and cathar­tic adven­tures that are pre­sent­ed on the sil­ver screen. Yet just as films can engen­der a sense of wan­der­lust, they can also have the oppo­site effect. Cate Short­land explores what hap­pens when trav­el­ling goes wrong in her new film Berlin Syn­drome. The sto­ry fol­lows a young Aus­tralian woman (played by Tere­sa Palmer), whose romance with both the city of Berlin and a man who resides in it takes a dis­turb­ing turn. To cel­e­brate its release, here are five films about trav­el that will make you want to stay home.

Grad­u­a­tion is over and you’ve ditched your safe-bet year­ly vaca­tion to explore the cities of Thai­land. Best case sce­nario? You make life­long friends and embark on an enrich­ing cul­tur­al adven­ture. Worst case sce­nario? You end up in a Thai prison for a crime that you did not com­mit. Jonathan Kaplan’s Broke­down Palace explores the lat­ter camp, bril­liant­ly encap­su­lat­ing the vul­ner­a­bil­i­ty of the two young char­ac­ters, Alice (Claire Danes) and Dar­lene (Kate Beck­in­sale) as they find them­selves on the wrong side of Thailand’s stiff drug traf­fick­ing laws. If this film doesn’t turn you off trav­el­ling, it will at the very least prompt you to check your lug­gage before board­ing the plane.

The Hitch-Hik­er is a tense crime thriller, direct­ed by Ida Lupino – the first female film­mak­er to break into the Amer­i­can main­stream with a film noir. It tells the sto­ry of two week­end fish­er­men who unwit­ting­ly pick up a psy­chot­ic con­vict dur­ing a trip to Mex­i­co. Lupino uses the claus­tro­pho­bic con­fides of the car to por­tray a tense and dis­tress­ing dance of sur­vival between the two hostages and the killer. Based on the crime spree of mur­der­er Bil­ly Cook, the film itself reminds the audi­ence: What you will see in the next 70 min­utes could have hap­pened to you.”

Alfon­so Cuarón’s com­ing-of-age dra­ma cen­tres on two Mex­i­can teenagers Tenoch (Diego Luna) and Julio (Gael Gar­cia Bernal) who embark on a cross coun­ty road trip with the sex­u­al­ly appeal­ing yet trou­bled old­er woman Luisa (Mari­bel Ver­du). As they trav­el through the des­o­late areas of the coun­try, the social injus­tices and pover­ty in Mex­i­co are pre­sent­ed through var­i­ous encoun­ters they expe­ri­ence on the way to their final des­ti­na­tion: an idyl­lic beach called Boca del Cielo (Heaven’s Mouth). Unfor­tu­nate­ly, Julio and Tenoch are too focused on their sex­u­al desire to notice. Although the cli­mat­ic scenes might con­clude the much-need­ed mat­u­ra­tion of Julio and Tenoch, they also present the dev­as­tat­ing con­se­quences of allow­ing the hol­i­day spir­it to break down the bound­aries between sex­u­al­i­ty and friendship.

An unpro­voked were­wolf attack might not be a prime wor­ry on the trav­el­ling check­list, but it cer­tain­ly is for the pro­tag­o­nists of the fright­ful­ly fun­ny hor­ror com­e­dy Amer­i­can Were­wolf in Lon­don. Amer­i­can uni­ver­si­ty stu­dents David Kessler (David Naughton) and Jack Good­man (Grif­fin Dunne) find them­selves under attack while on a back­pack­ing expe­di­tion across the moors of York­shire. One of them is killed while the oth­er con­tin­ues on his spree across the Eng­land cap­i­tal. This film remains the most icon­ic and mod­ern take on the were­wolf genre and although it might not pur­vey a real­is­tic back­pack­ing expe­ri­ence, its most famous quote comes to the fore­front of every fan’s mind when walk­ing through the fields of Eng­land: Stay on the road. Keep clear of the moors.”

The uncom­fort­able expe­di­tion in Sin Nom­bre is made out of neces­si­ty rather than choice and it is this which invokes an appre­ci­a­tion for the basic com­forts that so many peo­ple are still deprived of. Cary Joji Fukunaga’s crime dra­ma fol­lows a Hon­duran teenag­er whose search for a bet­ter life becomes inter­laced with a Mex­i­can gang­ster as they trav­el through the Latin Amer­i­can coun­try­side in an attempt to make it across the US-Mex­i­co bor­der. Fuku­na­ga got the idea from a dan­ger­ous train ride he took sev­er­al times through Mex­i­co, using the nar­ra­tive to high­light the often-fatal strug­gles ille­gal immi­grants face when mak­ing this jour­ney in search for a sta­ble life.

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