by Anton Bitel
The Italian director’s 1975 giallo classic is being re-released in a newly restored, longer edit with additional scenes.
Toshiaki Toyoda’s Monsters Club sees a Unabomber-like character wage a private war from a remote cabin in the woods.
Marco Ferreri’s controversial The Ape Woman is a deeply cynical portrayal of masculinity bestialised and femininity reified.
With its progressive gender politics and liberal undertow, Nicholas Ray’s 1954 film was way ahead of its time.
In 1983’s Suburbia and 1985’s The Boys Next Door, the Reagan era is a place of lay-offs, layabouts and general decay.
by Adam Scovell
Inspired by real-life killings, 1968’s Corruption is one of the first – and most effective – British horror films of its kind.
Yasuzô Masumura’s macabre masterpiece Blind Beast paints an unnerving portrait of an artist and his muse.
John Frankenheimer’s Prophecy sees Mother Nature exact revenge against a researcher couple in rural Maine.
Starring Linda Blair as a textbook final girl, Tom DeSimone’s 1981 Hell Night offers an effective blend of horrors old and new.
The Italian horror maestro’s handful of entries in the genre showcase his penchant for bloody retribution.
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