by Anton Bitel
Sean S Cunningham’s The New Kids sees James Spader terrorise a group of upwardly-mobile youths.
by Austin Collings
Lindsay Anderson’s spiky Thatcher-era comedy is the perfect sign off to his Mick Travis trilogy.
After Midnight confirms co-directors Jeremy Gardner and Christian Stella as among most exciting talents working in American independent horror today.
Christian Duguay’s Screamers, starring RoboCop’s Peter Weller, was originally conceived back in 1981.
Yedidya Gorsetman’s 2018 film Empathy, Inc explores themes of identity, alterity and technophobia.
Masaki Kobayashi’s Oscar-winning 1964 anthology film Kwaidan is now available on Blu-ray for the first time.
by Adam Scovell
Michael Elliott’s 1968 teleplay The Year of the Sex Olympics imagines a society addicted to screens.
Warner Bros took legal action over 1974’s Beyond the Door, but its differences from Friedkin’s film are more striking than its similarities.
Atsushi Yamatoya’s 1967 Inflatable Sex Doll of the Wasteland subverts expectations of this softcore genre.
The Chinese master’s 1979 Raining in the Mountain is now available on home video for the first time in the UK.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.