by Ed Gibbs
This year’s Sundance docs explored political and personal vendettas so brazen, you couldn’t make them up.
by Sophie Monks Kaufman
They’ll be joined by Abel Ferrara and Tsai Ming-liang when the festival kicks off in February.
by Hannah Strong
Brandon Cronenberg sets late-capitalism in his crosshairs in this effective – and very gory – social horror.
by Little White Lies
The upcoming edition of GFF features an entire day of features directed by women.
Jude Law and Carrie Coon shine in Martha Marcy May Marlene director Sean Durkin’s eerie psychological thriller.
Dee Rees and Anne Hathaway tackle Joan Didion’s novel of the same name, with disastrous results.
by Ege Apaydın
The director of Beasts of the Southern Wild returns with a novel if underwhelming take on the Peter Pan fable.
Lee Isaac Chung’s beautifully observed drama follows a South Korean family who relocate to rural Arkansas.
Will Ferrell and Julia Louis-Dreyfus hit the slopes in this miserable remake of Ruben Östlund’s Force Majeure.
by Brianna Zigler
Filmmaker Kirsten Johnson crafts a comedic elegy to her deteriorating but still very alive father.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.