by Sophie Monks Kaufman
The great Pablo Larraín delivers a stirring, soaring portrait of Chile’s most treasured poet.
by David Jenkins
Director Bruno Dumont invites us on a French sea-side holiday with a macabre twist.
Ken Loach returns to Cannes with a ranty anti-government, anti-bureaucracy screed. Not all of it lands.
French director Alain Guiraudie follows up Stranger by the Lake with another alluring and elliptical thriller.
One of the progenitors of the Romanian New Wave returns to the Cannes competition with a rambling family drama.
Despite an effervescent Kristen Stewart, Woody Allen’s frothy period comedy fails to deliver a coherent message.
by Josh Slater-Williams
Olmo and the Seagull deserves its comparison to Rosemary’s Baby, despite being a very different beast.
by Ed Gibbs
This darkly comic factual drama hits all the right notes thanks to inspired turns from Christian Slater and James Franco.
Katie Holmes puts in a memorable shift as a struggling single mom in her impressive directorial debut.
by Sarah Jilani
Despite facing severe restrictions Iran’s most important filmmakers continue to give its people a voice.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.