by Brogan Morris
The Hurt Locker meets An Inconvenient Truth in this vital new climate change documentary.
There’s notes of Orson Welles’ F for Fake in this richly intoxicating wine-based con caper.
by Katy Vans
Director Susanna Edwards captures the emotional complexity of a brutal sport in this intimate portrait of ‘the female Rocky’.
by Chris Barsanti
The opening night film of this year’s Human Rights Watch Film Festival shows China on a collision course with chaos.
by Patrick Gamble
New features from Cristi Puiu and Ali Abbasi brought a gothic flavour to this year’s festival.
by Little White Lies
Find out who scored the silverware as this year’s festival comes to a close.
by David Jenkins
The director of A Separation and The Past heads to the Cannes competition with another intricate domestic drama.
Team LWLies glance back over a strong competition and pick out their hot contenders for glory.
by Katherine McLaughlin
Isabelle Huppert delivers a stunning, unflinching performance in this blackly comic rape-revenge thriller.
by Sophie Monks Kaufman
Xavier Dolan returns to Cannes with a star-studded ensemble drama about a dysfunctional family. It’s all a bit flat.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.