by Blaise Radley
Ninety years on, Yasujirō Ozu’s silent comedy about familial disillusion still makes salient points about life under capitalism.
by Caitlin Quinlan
The Czech Republic festival is fast becoming a showcase for exciting new talent.
by Charles Bramesco
Letitia Wright and Tamara Lawrance star in this dramatisation of June and Jennifer Gibbons’ strange life story.
Will audiences say ‘no, no, no’ to Sam Taylor-Johnson’s upcoming film?
by Katie Goh
The challenges and ethics of showing life in an active conflict zone were a key theme of the festival’s 2022 edition.
In the Black Fantastic explores racial identity through mythology, science-fiction, and the supernatural.
by Lillian Crawford
Though her work remains undistributed in the UK, her superb film and TV episodes show an immense and unique talent on the rise.
Margot Robbie, John David Washington, and Christian Bale lead as a trio of friends caught in a murder case.
by Molly Mortimer
A new creative director, new programme strands and a new vision promise a big return for the world’s oldest film festival.
Gender isn’t binary, and awards programs ought to reflect that simple truth.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.