by Charles Bramesco
Deceased at 87, he and partner Arthur Rankin reigned as kings over midcentury Yuletide nostalgia.
by Zahra AlHadad
A trio of dramas explain the relationship between fathers and children put an emphasis on parental personhood at this year’s London Film Festival.
by Callie Petch
The co-director of the weird and wonderful stop motion modern classic ParaNorman reflects on the film’s legacy a decade later.
by Sean McGeady
60 years since its release, this strange quasi-monster flick is a reminder of cinema before the IP wars began in earnest.
by David Jenkins
Ahead of the release of Triangle of Sadness, we look back at the Swedish provocateur’s intriguing depiction of men.
by Adam Scovell
Her turn as a woman living under the thumb of an abusive husband is a masterclass in empathy and heartbreak.
by Ella Kemp
The two-time Palme d’Or-winning provocateur chats idealism, misogyny and modeling as Triangle of Sadness hits cinemas.
by Simon Bland
Creator Stephen Volk and director Lesley Manning reflect on the chaos and unlikely impact of their meta-Halloween horror.
by Joe Flockhart
Huppert’s role in Hal Hartley’s 1995 black comedy curio remains one of her most interesting to date.
by Anton Bitel
Irving Pichel and Ernest B. Schoedsack’s The Most Dangerous Game still has the power to shock, 80 years after its release.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.