by Charles Bramesco
Steven Soderbergh directs the third installment of the male-stripping saga as Mike brings his talents to London.
by Rafa Sales Ross
The Scottish filmmaker behind breakout indie Aftersun explains the complex process of portraying memory in cinema.
by Finlay Spencer
With its acerbic script and anachronistic flourishes, Peter Greenaway’s 1982 film is as fresh and funny as ever.
by Vince Medeiros
LWLies speak to the director of the outrageous farce, Dodo, at the the 2022 Thessaloniki Film Festival.
by Alicia Haddick
At the revamped Tokyo International Film Festival, the spotlight shone brightly on upcoming Japanese artistic voices.
by David Jenkins
The beloved writer-director offers up an eccentric volume that stands as testament to his rabid cinephilia.
In the new film from Darren Aronofsky, Fraser portrays an obese recluse ready for one last chance at redemption.
by Little White Lies
The European Film Academy has unveiled the contenders for their 35th annual awards ceremony, celebrating the cream of filmmaking in Europe.
by Aryan Tauqeer Khawaja
Paul Schrader and Brett Easton Ellis’s much-derided 2013 collaboration starring Lindsay Lohan is a sharper take on performance than it first appears.
by Connor Norcott
Martin and John Michael explore their Irish heritage through their bleak, blisteringly funny filmmaking.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.