by Charles Bramesco
In Guy Ritchie’s new thriller, a soldier must fight his way through Afghanistan to rescue the interpreter who saved his life.
by Kambole Campbell
Masaaki Yuasa’s animated epic is more than worthy of consideration beyond the narrow restrictions of the ‘Best Animated Feature’ category.
by David Jenkins
A few top picks from the big and brassy return of the Dutch mainstay, its first in-person gathering in three years.
by Leila Latif
The filmmaker behind the remarkable Saint Omer explains how her own experience informed the creation of her intimate legal drama.
by Finlay van der Vossen
Do these films which imagine the ramifications of a future climate disaster help or hinder our real-world conservation efforts?
In an unusual distribution scheme, Marcus Markou’s film The Wife and Her House Husband can be seen in cinemas for a quid.
by Hannah Strong
Nicole Holofcener reteams with Julia Louis-Dreyfus for a gentle comedy about a writer who discovers her husband doesn’t like her work.
A recently bereaved 12-year-old girl is forced to reconnect with her absent father in Charlotte Regan’s charming feature debut.
Cory Finley returns with an eccentric sci-fi dramedy about a pair of teenagers who scheme to livestream their relationship for a curious extra-terrestrial audience.
Her turns in Please Baby Please, Matilda, and even Amsterdam show off a chameleonic range.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
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