by Anton Bitel
Ken Russell, Peter Bogdanovich and Nicolas Cage’s first starring role are among this month’s bevvy of exciting home ents releases.
by Charles Bramesco
There’s a whole lot of Chinatown in Chris Pine’s directorial debut Poolman, an Angeleno neo-noir with a script that gives Robert Towne more than fair grounds to sue for damages.
by David Jenkins
Party hats and streamers at the ready as we celebrate our bumper birthday edition – with four stunning covers up for grabs.
by Mark Asch
Taika Waititi is way-too eager to please with this aggressively feel-good comic fictionalisation of the lovely 2014 documentary of the same name.
by Rafa Sales Ross
In his latest documentary, the American master Frederick Wiseman observes the routines of the Troisgros family and their three fine dining restaurants in France.
Anna Kendrick’s directorial debut, about a abused upstart actress and a serial killer in her midst, says all the right things, but too loud and too often.
The new film from one of Romania’s foremost cine-ironists, Radu Jude, is a glorious, poisonous, everything-in-the-pot treatise on the state of the world today.
Ladj Ly’s follow-up to his Cesar award-winning Les Misérables is a hyperbolic state-of-the-nation address that lacks the logic and fire of that first feature.
Less a swansong and more a heronsong from the Japanese maestro Hayao Miyazaki, a mystical and ambitious message of hope for the future.
by Yasmine Kandil
Michel Franco’s drama about the chokehold of the past boasts star power in Jessica Chastain and Peter Sarsgaard, but never quite delivers on its emotional premise.
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