Contributor Sean McGeady

This Just In

That inking feeling: Evil Dead Rise and the horror of tattoos

by Sean McGeady

In horror films, tattoo scenes can represent familial trauma and gendered violence. The new Evil Dead gets under the skin with both.
A scantily-clad woman, along with other people, at a dimly lit party scene with balloons and decorations.

House on Bare Mountain – the softcore flick that reunited the Universal monsters

by Sean McGeady

60 years since its release, this strange quasi-monster flick is a reminder of cinema before the IP wars began in earnest.
Man in white shirt with red markings, looking stern.

Blackbird, bad movies and the appeal of egosploitation cinema

by Sean McGeady

Michael Flatley's spy thriller is the latest in a grand tradition of vanity projects which are memorable for all the wrong reasons.

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