Reviews

The Odyssey review – a magnificent feat of storytelling
Shoot The People review – a powerful tribute to the camera as witness
Evil Dead Burn review – struggles to stay alight
The Last One For The Road review – loose, funny and melancholy
Our Hero, Balthazar review – perceptive dark comedy
Rosebush Pruning review – a dark-hearted, button-pushing hoot

Features

Eye of the Giant: Cinema's Cyclops Problem
London's New Silent Cinema Wave
The Odyssey
Beating Heart: Discovering the Cinema of Kyrgyzstan
John Waters: ’I’ve always been a les bro‘
Evil Dead Burn | Rosebush Pruning | Fists in His Pockets (1965)

Contributor Màtin Cheung

Where Comes La Cage: A Queer East Correspondence

by Màtin Cheung, Darla Timewell

In collaboration with the Queer East Film Festival, this year’s Emerging Critics cohort offer their responses to the film programme.

Subscribe to LWLies Weekly

Want to keep up with all things film? Our free weekly newsletter drops every Friday, bringing you the latest film news, reviews and features, plus discounts and extras from Team LWLies.

The Odyssey review – a magnificent feat of storytelling

Shoot The People review – a powerful tribute to the camera as witness

Evil Dead Burn review – struggles to stay alight

The Last One For The Road review – loose, funny and melancholy

Our Hero, Balthazar review – perceptive dark comedy

Rosebush Pruning review – a dark-hearted, button-pushing hoot

Eye of the Giant: Cinema's Cyclops Problem

London's New Silent Cinema Wave

The Odyssey

Beating Heart: Discovering the Cinema of Kyrgyzstan

John Waters: ’I’ve always been a les bro‘

Evil Dead Burn | Rosebush Pruning | Fists in His Pockets (1965)

Where Comes La Cage: A Queer East Correspondence