by Matthew Eng
Ramin Bahrani’s latest is a fitfully interesting, by-the-numbers account of a curious figure on the fringes of American law enforcement.
Boots Riley’s surrealist vision of corporate servitude is a comedy with plenty of willpower and zero apologies.
Tim Wardle revisits a ripped-from-the-headlines phenomenon in a docu-study full of surprises.
Aubrey Plaza plays a very modern kind of antiheroine in Matt Spicer’s darkly comic social media satire.
A new documentary about comic provocateur Gilbert Gottfried is one of the year’s most unexpected heartwarmers.
This latest from doc doyen Errol Morris looks at the life of eccentric American portrait artist Elsa Dorfman.
DA Pennebaker’s documentary milestone remains historically vital and as bracingly alive as ever.
Anne Heche and Sandra Oh get aggressive in Onur Tukel’s scathing new comedy.
From Bugsy to American Beauty and now 20th Century Women, the actor has always relished playing characters that ask us to look deeper.
James Baldwin reclaims the spotlight in Raoul Peck’s magnificent film essay.
Kirsten Johnson’s visual autobiography is a striking and knowledgeable account of a life in film.
From Luke Cage to Moonlight, the American actor has made a vital contribution to his craft this year.
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