by Hannah Strong
Wes Anderson adapts his second Roald Dahl story, this time into a rather delightful short with some beautifully rendered theatrical set pieces.
Andrew Scott and Paul Mescal are electric in Andrew Haigh's twist on the modern ghost story, adapted from Taichi Yamada's cult novel.
Michael Mann's long-awaited Enzo Ferrari biopic is a disappointingly conventional and surprisingly rough portrait of an automotive icon.
Pablo Larraín imagines Augusto Pinochet as an aged vampire craving death in his gothic satire, which marks his first foray into horror.
The Scrapper star on getting into character, upsetting the make-up department and improvising opposite a tenacious 11-year-old.
The chemistry between Harris Dickinson and Lola Campbell shines in Charlotte Regan's debut, about the difficulties of father-daughter bonding.
Abandoned by his owner, a happy-go-lucky terrier must learn to survive on the mean streets in this dire comedy, packed with poo jokes and crotch-bothering.
The French filmmaker on the nuances of recreating a real-life terrorist attack in her reflective new film, Paris Memories.
Alice Winocour draws on her brother’s experiences of the 2015 Bataclan attack to create a drama about recovering from trauma.
Nicole Holofcener reteams with Julia Louis-Dreyfus for a gentle comedy about a writer who discovers her husband doesn't like her work.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.