Contributions from Erin Brady | Little White Lies

Contributor Erin Brady

Dim silhouette of a person walking on a dark, wooded path at night.
Review

Dashcam

by Erin Brady

Lo-fi genre maestro Rob Savage returns with a truly repellant new variety of horror Scream Queen.

4
Anticipation
3
Enjoyment
3
In Retrospect
Four young women sitting on a sofa in a dimly lit room, holding drinks and looking at something off-camera.
Festivals

Bodies Bodies Bodies – first-look review

by Erin Brady

A killer cast slashes through a disastrous hurricane party in a raunchy and fun romp meant for a theatre.
Three adults and two youths seated in a living room, surrounded by patterned furniture and shelves.
Festivals

Soft & Quiet – first-look review

by Erin Brady

Beth de Araújo takes viewers into a white supremacist nightmare in her terrifying yet staggering directorial debut.
Vibrant painting depicting three African men with dreadlocks and tribal attire against a fiery sunset sky background.
Festivals

The best international genre films at the 2021 Toronto International Film Festival

by Erin Brady

Mercenaries and demonic encounters featured in some of the most interesting films that played at this year’s TIFF.
Two young women, one with dark hair and the other with lighter hair, facing each other in a dimly lit room.
Festivals

The Mad Woman’s Ball – first-look review

by Erin Brady

A woman who sees spirits is committed to a psychiatric hospital in this book adaptation by Mélanie Laurent.
Dim silhouette of a person walking on a dark, wooded path at night.
Festivals

Dashcam – first-look review

by Erin Brady

Rob Savage’s follow-up to Host is a terrifying yet frustrating experience about social media narcissism.