Contributions from Erin Brady | Little White Lies

Contributor Erin Brady

Dim silhouette of a person walking on a dark, wooded path at night.
Review

Dashcam

by Erin Brady

Lo-fi genre mae­stro Rob Sav­age returns with a tru­ly repel­lant new vari­ety of hor­ror Scream Queen.

4
Anticipation
3
Enjoyment
3
In Retrospect
Four young women sitting on a sofa in a dimly lit room, holding drinks and looking at something off-camera.
Festivals

Bodies Bodies Bodies – first-look review

by Erin Brady

A killer cast slash­es through a dis­as­trous hur­ri­cane par­ty in a raunchy and fun romp meant for a theatre.
Three adults and two youths seated in a living room, surrounded by patterned furniture and shelves.
Festivals

Soft & Quiet – first-look review

by Erin Brady

Beth de Araújo takes view­ers into a white suprema­cist night­mare in her ter­ri­fy­ing yet stag­ger­ing direc­to­r­i­al debut.
Vibrant painting depicting three African men with dreadlocks and tribal attire against a fiery sunset sky background.
Festivals

The best international genre films at the 2021 Toronto International Film Festival

by Erin Brady

Mer­ce­nar­ies and demon­ic encoun­ters fea­tured in some of the most inter­est­ing films that played at this year’s TIFF.
Two young women, one with dark hair and the other with lighter hair, facing each other in a dimly lit room.
Festivals

The Mad Woman’s Ball – first-look review

by Erin Brady

A woman who sees spir­its is com­mit­ted to a psy­chi­atric hos­pi­tal in this book adap­ta­tion by Mélanie Laurent.
Dim silhouette of a person walking on a dark, wooded path at night.
Festivals

Dashcam – first-look review

by Erin Brady

Rob Savage’s fol­low-up to Host is a ter­ri­fy­ing yet frus­trat­ing expe­ri­ence about social media narcissism.

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