by David Jenkins
Ali Abbasi crafts a thriller ripped from the headlines in this story of ‘The Spider Killer’ who targeted female sex workers in Mashhad, Iran.
Mark Jenkin’s experimental 16mm horror depicts a lone botanist on a deserted island, whose relationship with her surroundings may be an indication of something sinister at play.
Sam Mendes recruits Olivia Colman and Michael Ward for this mawkish tale of seafront woes and the healing power of movies.
This corny English-language remake of 2015 Swedish hit, A Man Called Ové, sees Tom Hanks seriously lowering his standards.
A gaudy blue folly which encapsulates James Cameron’s strength as an image-maker, but weakness as a storyteller.
Maria Speth’s intimate non-fiction epic profiles a spiky but saintly German schoolteacher and his students.
Will Smith brings stern dramatic heft to an enslaved man making a dash for freedom in Antoine Fuqua’s tonally mish-mashed action drama.
The astonishing saga of Syrian refugee-turned-Olympic swimmer Yusra Mardini is effectively presented by writer/director Sally El Hosaini.
Benoit Blanc enters the canon of iconic movie characters with Rian Johnson’s second foray into whodunit (nu-dunit?) territory.
This retro-inspired Disney adventure yarn boasts lots of great, progressive ideas, but lacks in the imagination department.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.