by David Jenkins
Imogen Poots shines in this angular, fragmented portrait of English rose-turned-firebrand activist Rose Dugdale from Irish filmmakers Joe Lawlor and Christine Molloy.
This fascinating and melancholy documentary sees an Iranian exile in London looking back to the stranger-than-fiction roots of his formative cinephelia.
Helen Mirren dons heavy prosthetics as one-time Israeli prime minister Golda Mair in this drab geopolitical retelling of the 1973 Yom Kippur War.
This steamy and giddily uneven rural romance from Spanish filmmaker Isabel Coixet is almost saved by Laia Costa’s committed central performance.
This Greenland-set drama from Danish director Isabella Eklöf, about a husband and father dealing with the trauma of abuse, makes for oppressively grim and only occasionally revelatory viewing.
Reliable Belgian director Joachim Lafosse serves up more lurid scandal sheet fodder in this dismal tale of a wife and mother trying to sweep her husband’s vile transgressions under the rug.
Amiable American comedy of dented male egos in which Griffin Dunne’s recent divorcee accidentally crashes his son’s bachelor party.
The latest from Romanian filmmaker Cristi Puiu comprises four salty slices of pandemic-era life which range from the outwardly comic to the overtly grizzly.
Surreally awful action spectacle which represents nothing more than the quickest route to a payday for everyone involved in its sorry creation.
Romanian director Cristian Mungiu returns with a superb social realist western with its finger on the erratic pulse of Europe.
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